For me God’s Own Country is an investigation into authenticity of emotion and landscape. Having grown up on the same hillside where the film is set, it was critically important to me to communicate what this very specific landscape not only looks like but how it feels, sounds, tastes, smells. The wind, the cold, the rain that gets into your bones when you work outside all day. The daily struggle with the animals that leave very little time or energy to investigate emotion or relationships. I want the viewer to feel totally immersed in my world. I worked painstakingly hard on making sure this world was totally authentic – all the props had to come from the location farm, the costumes had to be bought in the local town, the actors had to work on the farm and “live” the life of the characters in extensive rehearsals.